The River Has Roots By Amal El-Mohtar Book Review
Being wrapped up in a story that’s part fairy tale, part haunting ballad, and all about the fierce love between sisters, that’s exactly what you get with Amal El-Mohtar’s novella, The River Has Roots.
So here’s the deal, this lyrical fantasy novella is set in the quaint, almost otherworldly town of Thistleford, right on the edge of Faerie. It follows two sisters, Esther and Ysabel Hawthorn, who tend magical willow trees by singing to them. But it’s not just any magic, it’s a unique system called “grammar,” where language and song actually shape reality. Esther’s caught between a forceful suitor from the mortal world and a mysterious, ethereal faerie lover named Rin, whose enchanting presence threatens to pull her into the unknown. The story mixes English folklore with rich British murder ballad traditions, giving it a dreamy, mystical, and deeply emotional vibe, without spoiling anything.
What really makes this book stand out is Amal El-Mohtar’s gorgeous writing style. The prose is poetic, almost like you’re listening to an old folk tale told by someone who’s sung it a thousand times before. The atmosphere is thick with magic, music, and languages that feel alive, like the river itself is breathing through the words. And the audiobook version is something special, featuring quiet singing by El-Mohtar and her sister, plus ambient sounds like rain and running water that really pull you into this fairy world.
Readers absolutely rave about the sisterhood at the heart of the story, how Esther and Ysabel’s love and sacrifice feel vibrant and raw. Some call it “hauntingly beautiful” and say it left them in tears. But the book isn’t just a soothing lullaby; there’s a dark edge too. The villain, a nasty suitor named Samuel, brings real menace and a timely critique of toxic masculinity and colonial greed. That adds layers beneath the fairy tale surface.
Now, not everyone is completely sold, some readers wished the story was longer or more developed. The novella is pretty short and the ending can feel rushed, like it’s over before you’re ready to say goodbye. And the magic system, while fascinating, can sometimes feel vague or abstract if you prefer super-clear world-building. Plus, if you’re not into flowery, poetic prose, parts might come off a bit dense or “purple” in style.
Personally, I think The River Has Roots is perfect for anyone who loves atmospheric fantasy that feels like a lullaby and a love letter all at once. If you enjoy fairy tales, lyrical language, sibling relationships, and subtle, beautiful queer romance, this will speak to you. But if you’re looking for a fast-paced plot or a fully fleshed-out world, this might test your patience.
All in all, The River Has Roots is one of those rare books that lingers long after you finish it, both for its musicality and emotional resonance. It’s a healing story that reminds you how language, love, and resilience intertwine in a magical, sometimes painful dance.
If that sounds like your kind of story, definitely check it out. And if you’ve read it, let me know what you thought!